"Damn we could just make a fortune, just in this place," wondered Pick, realizing that may have been the reason for the FRIAR giving up the information. Where the outside was dull and lifeless rock the inside was polished crystals, some elements even glowing precious. The spell succeeds, and the party discovers that the purple corridor. Shield moved other things in their path.īeyond was a shimmering purple corridor, lightless except for a slight glow rune which Spell could light the corridor with There was no door open except for a few rocks, which Pots, with his uncanny ability to destroy was able to blow up.
The Company has been 'hired' by EVIL to Liberate the HIDDEN, whoever that is and this could spell the difference between ruin and joy, a threatening, enormous task- considering the adventurers have not been told what the HIDDEN is. Liberate the half-orc vagrant from the sprawling road. So the band is here, exactly why did EVIL put them here?Īlert the elf ranger at the magical grotto. Pick and The Band considered it hearsay until, behold here is the abandoned place of much. How do we know this? Via a local trademan the Friar who sold the information to Pick in exchange for getting a rival's room open (and thus robbing him). Their arts brought them to ruin as the corruption sought to take them over.
The stone fortress was created by a lost sect, a scholarly school of mages, hermits really, plotting in the dark arts, wishing to find the lost meaning of some forgotten reality-altering language. Setting is polluted school involving very high quality cloak and very high quality potion. Liberal tradesman who is as strong as you and whose motivation is to publicize ghosts, process the poor, and accompany deprivation who speaks of hostile records and is focused on your current story. Finally threw in some advantages and drawbacks until this is what the characters looked like:īlocks of stone surrounded the adventurers, unsure why EVIL had brought them here, the four find a carved out network of stone before them. What I did was I used the stats of USR, the descriptions of Mythic, moving success or failure like I would FUDGE. With this I have a dungeon, I have chaos and I have a Mythic/Fudge system that I use to define each archetypes abilities- with the help of the USR game system. Not sure why it turned out that way, it just did.Īfter finding, I finally found an element that could serve as the dungeon crawl GM that I had so long craved. These archetypes appeared more like equipment, assets, or skills to the supreme character- The Company or The Band. The same was true for Pots (the alchemist if not cook, or Pick (our resident rogue). Rather than Merlyn, or Wizard, Spell weaved herself into the adventure. Rather than Conan, or even Warrior, Shield came into being- the archetypal defender of the group. Rather than use deep individual characters for the adventure, archetypes rose from the cauldron. My brain seemed to grab at straws and I could not think of things. I began scrawl as soley a literary exercise in serialized format without using any solo rpg elements. Except perhaps the classic “Dragonlance” there is not a serialized or novelized craving that we all have, that of simply grabbing a weapon arming yourself and diving into the depths.
In the fantasy genre there is very little work devoted to the classic dungeon crawl. Its goal is the union between classic dungeon crawl in the old-school manner, solo-adventuring and writing. Scrawl, a serialized dungeon crawl has been a concept that I have been toying with, more like craving for some time.
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